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Then his best pal, Takeuchi, tells her that Yano is mourning the loss of his upperclassman girlfriend, Nana, in a traffic accident. Nanami thought him insufferable tease, until she experienced his gentler, lonelier side and fell fast and hard. There she reminisces about her first encounter with Motoharu Yano, most popular boy in her second-year class in high school. We first see our heroine, Nanami Takahashi, as an adult returning to her hometown of Kushiro, Hokkaido, for a classmates ' wedding.
BOKURA GA ITA MOVIE TV
Also, Miki, working with scriptwriter Tomoko Yoshida, has created moment after poignant moment that will inspire many sniffle and sigh, not to mention TV variety-show parodies. That hardly anything about the entire enterprise is original will not stop many millions of fans from buying tickets instead its familiarity will be one of its attractions. For another, two leads, Toma Ikuta and Yuriko Yoshitaka, are both hot now, appearing in a multitude of TV dramas, films and that truest indicator of mass popularity ad campaigns. For one thing, Part 1 methodically serves up audience-pleasing plot points, missing only poetically agonizing terminal illness. I am willing to bet, though, that their gamble will pay off big time. Two-and three-Part Japanese films have rack up superlative box-office numbers in recent years, but most are in sci-fi / action genres and appeal to both genders, so producers of We Were There are taking a risk, especially in opening two parts so close together. Direct by Takahiro Miki, music video maestro whose first feature was the 2010 romantic drama Solanin, first Part will be released on March 17, second on April 21. But a media consortium led by Asmik Ace has gone bold step farther in making Bokura ga Ita, romantic drama based on megahit manga by Yuki Obata, into a two-Part epic clocking in at nearly four hours total. The resulting products are as sure bet as anything in show business. With all opportunities for practice, local filmmakers have polish genre conventions to a fine sheen, nearly always working from hit manga, novel or TV drama. Here they still like them straight, made with age-old ingredients of fated partings and tragic deaths. The genre has hardly gone extinct in the West either, though fans now tend to like their romantic fantasies spiced with everything from moody vampire heartthrobs to splashy musical production numbers. Mostly female audience never tires of them, decade after decade. Of Japanese movies about star-cross young lovers, there will never be an end.